
"A young charismatic...cross between Lucinda Williams and Beth Orton."
The Village Voice, "Voice Choice" (2005)
"The
Delaware-bred Flowers shone brightly when she lived in Boston a few
years ago before moving to Providence, then New York. She's gone from
a young singer-songwriter to a mature, self-managed artist during that
time -- and it shows in her often bewitching new CD, "Yesterday's
Girl." Flowers always had chops -- she sings and plays guitar with an
Ani DiFranco-like versatility -- and now she's dealing with more meaty
subject matter. The new record recounts leaving a relationship to
follow her musical destiny and includes a song about parents grieving
in the wake of the Station nightclub fire ("Only Now"). "I embellished
a couple of stories that I heard on the news," Flowers says of that
track.
The new CD is gracefully coproduced by Flowers and her brother, Bruce,
who colors the songs with atmospheric piano, organ, and electric
guitar. But the star is Flowers, who has a renewed confidence ("I
can't afford to play the loser anymore, it's not my style," she
sings). As for the title "Yesterday's Girl," she says, "It's something
my mother would have said: 'Why live in the shadows of yesterday's
girl?' "
Steve Morse, The Boston Globe (2005)
"Energetic and affable, Kendra sings a heartfelt blend of folk, alternative and blues with a strong, distinctive voice that recalls the power and range of Bonnie Raitt or Margo Timmins of Cowboy Junkies. When paired with her prowess on the acoustic guitar, the resulting sound is both simple and potent; making her songs seem like a series of lyrical short stories. Drawn from such diverse sources of inspiration as her own life, favorite novels and, in the case of the instrumental, “Smackdown,” the World Wrestling Federation, the strength of her self-penned songs gives her set a uniquely personal feel.
"
Ilise S. Carter, www.newyorkcool.com
"Kendra plays an acoustic guitar as if it were a weapon, riffing the
pants off most modern musicians. And they are good riffs, too, at
times soaked in blues grit and others drenched in melancholy a la Red
House Painters." www.southofmainstream.com (reviewed by Fin)
"Kendra Flowers pulls from a bluesy palette and an assortment of
emotional brushes to create a variety of musical pictures…dark and
smoky…lyrically breath-taking…Kendra's guitar work ranges from strong
stabs to flowing falls. Overall…Flowers has a good set of pipes and
gleaming skills." Matthew Robinson, Boston Soundcheck Magazine / MusicDish.com "Imagine Ani DiFranco meets Big Mama Thornton and you'll get a rough
idea of the raw and astonishing talent of this 22-year-old newcomer.
She sings with a riveting, phrase-bending originality coupled with
razor-sharp lyrics, that deal with relationships…and skilled 12-string
guitar accompaniment that completes a highly-signable package."
Steve Morse, The Boston Globe (2000)
"The phrasing is gripping. The melodies are spectral.
With this album, Kendra has stepped up on to a new plateau both musically and lyrically. The phrasing is gripping. The melodies are spectral. One moment she flirts with rhythms, the next she's banging out straight unison. Kendra has redefined herself with Yesterday's Girl, while maintaining her rawness --- her blues core. This can't be taught nor can it be accurately described. So just listen."
Tony Island, NYC Singer/Songwriter
"Kendra Flowers plays pretty songs..."
The L Magazine (2005)
"2 thumbs up... into your SOUL!!!! I don't care how much crack you do or don't smoke. This album is great. Kendra does shit with her voice that can only be compared to some horror movie goblin plunging its tenticles into your soul and spinning your shockras like metal chinatown balls."
Gilead, cdbaby.com
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